Australian / American, 1876-1958





Watercolor on Paper

Signed and titled lower left


Provenance: Corporate Collection, purchased through Kennedy Galleries, New York, New York.

(Kennedy Galleries handled much of Lever’s estate).


 (Also offered, an oil on canvas, “Autumn”, similarly handled apparently from the same setting,

Kennedy Galleries label verso, unsigned, with letter of authentication and essay by American Art Curator

and Ashcan Specialist Valerie Ann Leeds.  See below.)                                  


Museums: (32) including Metropolitan Museum of Art, Los Angeles County Museum of Art, High Museum of Art,

Fine Arts Museums of San Francisco, Yale University Art Gallery, Pennsylvania Academy of the Fine Arts,

Cheekwood Museum of Art

(& others)


Books: (64) including Hayley Lever by Carol Lowrey


Periodicals: (3) American Art Review; Art & Antiques

Image Size : 14” x 22”



 Please Inquire




Offered also is a Hayley Lever 25" x 30", oil on canvas, similarly handled, and painted from a different vantage point,

signed and entitled "Autumn", also with Kennedy Galleries label verso - below




Richard Hayley Lever, Autumn (Marblehead Pool)

In Stock


Other Paintings by Richard Hayley Lever:


Richard Hayley Lever, Springtime



LEVER, Richard Hayley (1876-1958)


Birth place: Adelaide, South Australia

Death place: Mt. Vernon, NY

Addresses: NYC; Mt. Vernon, NY

Profession: Painter


Studied: Prince Alfred Club, Adelaide; Art Students League; Paris; London.


Exhibited: Pennsylvania Academy of Fine Arts Annual;, 1913-32, 1940 (medal, 1917; gold medal, 1926);

Corcoran Gallery biennials, 1914-41 (12 times); National Arts Club  1914-15 (prizes); Pan-Pacific Expo,

1915; National Academy of Design, 1914, 1936, 1938 (prizes); NAC, 1914-16, 1922, 1940;

Philadelphia Watercolor Club, 1918 (prize); Sesqui-Centennial Expo, Philadelphia, 1926 (prize); Montclair

 Art Academy, 1930 (prize); New Rochelle Art Academy, 1941 (prize); Art Institute of Chicago; Society

of Independent Artists, 1920; Salons of America , 1934; Whitney Museum of American Art, 1922-46; Newark Art Club,

1936 (prize); Westchester Arts & Crafts, 1945 (prize); Macbeth, Rehn, Ferargil, Daniels, French & Co.,

Clayton, & other NYC galleries.


Member: National Academy of Design; American Painters & Engravers; National Arts Club; Connecticut Academy

of Fine Arts; Royal British Artists, London; Associate National Academy, 1925; National Academician, 1933;

Royal Institute of Oil Painters, London; Royal West of England Academy; Contemporary; New

Society Artists; Woodstock Art Association


Work: Pennsylvania Academy of Fine Arts; Metropolitan Museum of Art; Brooklyn Museum; Montclair

Art Museum; Boston Museum of Art; Corcoran Gallery of Art; White House, Washington, DC; Ft.

Worth Museum of Art; Dallas Museum of Fine Art; Los Angeles Museum of Art; Telfair Academy; Detroit

Institute of Art; Des Moines Art Museum; Woodstock Art Association; University Nebraska; Phillips Memorial

Gallery; Duquesne Club, Pittsburgh; National Arts Club; Adelaide (So. Australia) Art Museum; Sydney

(Australia) Art Museum; Whitney Museum of American Art; Syracuse Museum FA; Antioch College; City Art Museum

of St. Louis; Memphis Art Museum; Springville (Utah) Art Academy; Perth Amboy (NJ) Public Library;

Little Rock Art Museum; Salt Lake City University Museum; Lincoln (NE) University


Comments: Best known as a Post-Impressionist of marine scenes, he was active in St. Ives, England, beginning c.1895.

In 1911, Ernest Lawson persuaded him to emigrate to the U.S. After the Depression forced him to give up his

home in Caldwell, NJ, he became director of the Studio Art Club, in Mt. Vernon, NY. He spent his summers at

Gloucester, MA, for twenty years. In addition to Caldwell, NJ, he painted in Manasquan (NJ), Woodstock (NY),

 Nantucket, Vermont, and Monhegan Island (ME). In later years his palette became more vibrant.

Signature note: His signature was typically bold and slashing during the 1910s-20s, while his later signatures have fewer flourishes.


Sources: WW53; WW47; Curtis, Curtis, and Lieberman, 32, 184; Woodstock AA; Falk, Exh. Record Series.

This biography is drawn from “Who Was Who in American Art” , the reference book on the cultural life in the United States.




Museums: (30)


Addison Gallery of American Art

Art Gallery of South Australia

Butler Institute of American Art

Cheekwood Museum of Art & Botanical Garden

Colby College Museum of Art

Corcoran Gallery of Art

Everson Museum Of Art

Flint Museum of Art

Fine Arts Museums of San Francisco, MH De Young

Heckscher Museum

High Museum of Art

Los Angeles County Museum of Art

Museum of Art at Brigham Young University

Museum of the City of New York

Neuberger Museum of Art


New Jersey State Museum

Norton Museum of Art

Pennsylvania Academy of the Fine Arts

Sheldon Memorial Art Gallery

Spencer Museum of Art

Telfair Museum of Art

The Baltimore Museum of Art

The Brooklyn Museum of Art

The Corcoran Gallery of Art

The Detroit Institute of Arts

The Hudson River Museum

The Metropolitan Museum of Art

The Montclair Art Museum

The Phillips Collection

Yale University Art Gallery




Click to View Catalog :


6 Early 20th Century American

Paintings Under 6000.00








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Richard Hayley Lever, Marblehead Pool, 1925, Watercolor on Paper