M. FORD CREECH ANTIQUES & FINE ARTS
 

www.mfordcreech.com

 


 

HAPPY HALLOWEEN!

'Night of the Macabre'

&

'Trick or Treat'


According to Mythology ( and Rubens ),

Prometheus

- the "ultimate trickster"-

stole fire

from Athena to give to mankind,

breathing life into clay figures

and giving them

the "light of life"...

...with which we lit CANDLES!

 

Artists, poets, philosophers and musicians have exalted candles

and candlelight

from ancient times to the present...

 

... from Confucius :

"All the darkness in the world can't put out the light of one candle"

 

Fine Pair of George III Cast Silver Candlesticks,William Cripps, London, 1766

Each crested to base and bobeche with an eagle displayed, having two heads

 

... to Dolly Parton :

"Old flames can’t hold a candle to you!"

 

George III Silver Chamberstick & Extinguisher, Richard Cooke,

with Scissor Snuffer, Wilkes Booth, London, 1809

 

And we all know women appear far more beautiful in candlelight!


Yet, "woe" to you - and do beware!

Shakespeare & some from his devious lair

 intend to "snuff out" life - and light so fair :

 


Macbeth :

"By the pricking of my thumbs,

Something wicked this way comes"...

Macbeth :

"Stars, hide your fires;

Let darkness see my black and deep desires"...

Hamlet :

"'Tis now the very witching time of night when churchyards yawn..."

Othello :

"PUT OUT THE LIGHT, THEN PUT OUT THE LIGHT !"

"OUT OUT, BRIEF CANDLE !

Life's but a walking shadow..."

(... Macbeth once more ... just to be certain you get the point ...)


George III Silver Chamberstick & Extinguisher, Richard Cooke,

with Scissor Snuffer, Wilkes Booth, London, 1809,

each crested with the "Head of a Saracen"

 

Macbeth, The Witches :

"Sliver'd in the moon's eclipse,

Nose of "Turk", and Tartar's lips"

 

Queen Anne Wick Britannia Standard Snuffer, Mathew Cooper I, London, c1704,

& George II Silver Snuffer Tray, James Gould, London, 1736,

 the crest a "winged"Pegasus. & the head of a horned antelope

 

"Eye of newt, and toe of frog,

Wool of bat, and tongue of dog,

Adders fork, and blind worms-sting,

Lizard's leg and howlet's 'wing'"...

 

"Royal Interest" :

George III Silver Snuffer, Wilkes & John Booth, London, 1810,

bearing cypher of

"Queen Charlotte" & TM beneath a "coronet" ...

 

"For a char of powerful trouble,

Like a hell-broth boil and bubble

Double, double toil and trouble;

Fire burn and caldron bubble."

So...

"Do not go gentle into that good night.

Rage, rage against the dying of the light."

 

DO SEE YOUR PUMPKIN’S BURNING BRIGHT!

Early 18th Century Cast Brass Scissor-Form Snuffers& Undertray

 

 


Footnotes of Interest :

 

"Prometheus", Peter Paul Rubens, 1636 - 1637, Oil on panel, 10” x 6.3”, Museo Nacional del Prado.

(Wikicommons)

 

Prometheus was also the ultimate "trickster" by way of his "dual nature".

Although a god, he was also the creator and caretaker of mankind, seeing to their knowledge and well being.

As such, he defied the gods, raided the workshop of Hephaistos and Athena on Mt. Olympus,

-- stealing fire --

and by hiding it in a hollow fennel-stalk,

gave the valuable gift to man and instructed them in metalwork.

He thus became, whilst still a God, a champion of man.

Prometheus was punished by Zeus for this theft, being chained to a rock, an eagle feeding on his liver daily.

Prometheus also represented "thinking ahead", and then "reaching too far".

Mary Shelly's "Frankenstein" was in fact based on Prometheus - and an attempt too far -

and was subtitled "The Modern Prometheus"

 

The "light" in reference to Desdemona's life is also an allusion to Prometheus' fire and "light of life".

 

“Do Not Go Gentle Into The Good Night”, Dylan Thomas,his most famous work, written in 1947 in Florence.

 It is suggested that is was written for his dying father. 

 

The Nun, from Danse Macabre (Dance of Death), Hans Holbein the Younger (1497–1543),

wherein a young nun kneels before an alter, whilst the skeleton of death extinguishes a candle flame .

 Danse is a Late Middle Ages artistic allegory on the universality of death :

no matter one's station in life, the Dance Macabre unites all.

The designs were drawn in 1526 while Holbein was in Basel,

and cut in wood by the accomplished block cutter Hans Lützelburger.

It is said that the originals are “technically the most marvelous woodcuts ever made.

The first book edition, containing forty-one woodcuts, was published at Lyons, 1538.

"The pictures and the Bible quotations above them were the main attractions ...

Both Catholics and Protestants wished, through the pictures,

to turn men's thoughts to a Christian preparation for death.".

(Wikicommons)

 


 

And Do Visit Our 2019 New & Incoming Catalog

The above : a Whimsical 17th Century Carved Walnut Version of

a "Witch's (Bellarmine) Jug"


 

Click the above images or underlined blue titles for the detail pages

Please call or email should you wish additional information

 

901.761.1163 (gallery) or 901.827.4668 (cell)

 

M. FORD CREECH ANTIQUES & FINE ART

581 S. PERKINS ROAD

POPLAR CENTER COLLECTION / MEMPHIS TN 38117

Hours : Wed.-Sat. 11-6, or by appointment

 

mfcreech@bellsouth.net or mfordcreech@gmail.com

www.mfordcreech.com

 

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Halloween : The Night of The Macabre & 'Trick or Treat'